Saturday, October 07, 2006
Greek and Latin Verse Composition: Four Methods
So the table was cleared, the cloth restored, and the three fell to work with Gradus and dictionary upon the morning's vulgus.
They were three very fair examples of the way in which such tasks were done at Rugby, in the consulship of Plancus. And doubtless the method is little changed, for there is nothing new under the sun, especially at schools.
Now be it known unto all you boys who are at schools which do not rejoice in the time-honoured institution of the vulgus (commonly supposed to have been established by William of Wykeham at Winchester, and imported to Rugby by Arnold more for the sake of the lines which were learnt by heart with it than for its own intrinsic value, as I've always understood), that it is a short exercise in Greek or Latin verse, on a given subject, the minimum number of lines being fixed for each form.
The master of the form gave out at fourth lesson on the previous day the subject for next morning's vulgus, and at first lesson each boy had to bring his vulgus ready to be looked over; and with the vulgus, a certain number of lines from one of the Latin or Greek poets then being construed in the form had to be got by heart. The master at first lesson called up each boy in the form in order, and put him on in the lines.
If he couldn't say them, or seem to say them, by reading them off the master's or some other boy's book who stood near, he was sent back, and went below all the boys who did so say or seem to say them; but in either case his vulgus was looked over by the master, who gave and entered in his book, to the credit or discredit of the boy, so many marks as the composition merited. At Rugby vulgus and lines were the first lesson every other day in the week, on Tuesdays, Thursdays, and Saturdays; and as there were thirty-eight weeks in the school year, it is obvious to the meanest capacity that the master of each form had to set one hundred and fourteen subjects every year, two hundred and twenty-eight every two years, and so on. Now, to persons of moderate invention this was a considerable task, and human nature being prone to repeat itself, it will not be wondered that the masters gave the same subjects sometimes over again after a certain lapse of time. To meet and rebuke this bad habit of the masters, the schoolboy mind, with its accustomed ingenuity, had invented an elaborate system of tradition.
Almost every boy kept his own vulgus written out in a book, and these books were duly handed down from boy to boy, till (if the tradition has gone on till now) I suppose the popular boys, in whose hands bequeathed vulgus-books have accumulated, are prepared with three or four vulguses on any subject in heaven or earth, or in "more worlds than one," which an unfortunate master can pitch upon. At any rate, such lucky fellows had generally one for themselves and one for a friend in my time. The only objection to the traditionary method of doing your vulguses was the risk that the successions might have become confused, and so that you and another follower of traditions should show up the same identical vulgus some fine morning; in which case, when it happened, considerable grief was the result. But when did such risk hinder boys or men from short cuts and pleasant paths?
Now in the study that night Tom was the upholder of the traditionary method of vulgus doing. He carefully produced two large vulgus-books, and began diving into them, and picking out a line here, and an ending there (tags, as they were vulgarly called), till he had gotten all that he thought he could make fit. He then proceeded to patch his tags together with the help of his Gradus, producing an incongruous and feeble result of eight elegiac lines, the minimum quantity for his form, and finishing up with two highly moral lines extra, making ten in all, which he cribbed entire from one of his books, beginning "O genus humanum," and which he himself must have used a dozen times before, whenever an unfortunate or wicked hero, of whatever nation or language under the sun, was the subject. Indeed he began to have great doubts whether the master wouldn't remember them, and so only throw them in as extra lines, because in any case they would call off attention from the other tags, and if detected, being extra lines, he wouldn't be sent back to do more in their place, while if they passed muster again he would get marks for them.
The second method, pursued by Martin, may be called the dogged or prosaic method. He, no more than Tom, took any pleasure in the task, but having no old vulgus-books of his own, or any one's else, could not follow the traditionary method, for which too, as Tom remarked, he hadn't the genius. Martin then proceeded to write down eight lines in English, of the most matter-of-fact kind, the first that came into his head; and to convert these, line by line, by main force of Gradus and dictionary into Latin that would scan. This was all he cared for -- to produce eight lines with no false quantities or concords: whether the words were apt, or what the sense was, mattered nothing; and as the article was all new, not a line beyond the minimum did the followers of the dogged method ever produce.
The third, or artistic method, was Arthur's. He considered first what point in the character or event which was the subject could most neatly be brought out within the limits of a vulgus, trying always to get his idea into the eight lines, but not binding himself to ten or even twelve lines if he couldn't do this. He then set to work as much as possible without Gradus or other help, to clothe his idea in appropriate Latin or Greek, and would not be satisfied till he had polished it well up with the aptest and most poetic words and phrases he could get at.
A fourth method, indeed, was used in the school, but of too simple a kind to require a comment. It may be called the vicarious method, obtained amongst big boys of lazy or bullying habits, and consisted simply in making clever boys whom they could thrash do their whole vulgus for them, and construe it to them afterwards; which latter is a method not to be encouraged, and which I strongly advise you all not to practise. Of the others, you will find the traditionary most troublesome, unless you can steal your vulguses whole (experto crede), and that the artistic method pays the best both in marks and other ways.