The charm of history and its enigmatic lesson consist in the fact that, from age to age, nothing changes and yet everything is completely different. In the personages of other times and alien cultures we recognize our all too human selves and yet are aware, as we do so, that the frame of reference within which we do our living has changed, since their day, out of all recognition, that propositions which seemed axiomatic then are now untenable and that what we regard as the most self-evident postulates could not, at an earlier period, find entrance into even the most boldly speculative mind.
"A peculiar anthologic maze, an amusing literary chaos, a farrago of quotations, a mere olla podrida of quaintness, a pot pourri of pleasant delites, a florilegium of elegant extracts, a tangled fardel of old-world flowers of thought, a faggot of odd fancies, quips, facetiae, loosely tied" (Holbrook Jackson, Anatomy of Bibliomania) by a "laudator temporis acti," a "praiser of time past" (Horace, Ars Poetica 173).
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Friday, September 17, 2004
The Charm of History
Aldous Huxley, The Devils of Loudun (1952; rpt. New York: Carroll & Graf, 1986), p. 259: