To quote The Harp-Singer of Theophilus: "A mighty treasure, good sirs, and a constant one, is music for all who have learned it and are educated." For indeed it trains character, and tames the hot-tempered and those whose opinions clash. The Pythagorean Cleinias, for example, as Chamaeleon of Pontus records, whose conduct and character were exemplary, would always take his lyre and play on it whenever it happened that he was exasperated to the point of anger. And in answer to those who inquired the reason he would say, "I am calming myself down."See M.L. West, "Music Therapy in Antiquity" Hellenica: Selected Papers on Greek Literature and Thought, Vol. III: Philosophy, Music and Metre, Literary Byways, Varia (Oxford: Oxford University Press, 2013), pp. 245-261.
μέγας γάρ, ὦ μακάριοι, κατὰ τὸν Θεοφίλου Κιθαρῳδόν,
θησαυρός ἐστιν καὶ βέβαιος μουσικὴκαὶ γὰρ τὰ ἤθη παιδεύει καὶ τοὺς θυμοειδεῖς καὶ τὰς γνώμας διαφόρους καταπραΰνει. Κλεινίας γοῦν ὁ Πυθαγόρειος, ὡς Χαμαιλέων ὁ Ποντικὸς ἱστορεῖ, καὶ τῷ βίῳ καὶ τοῖς ἤθεσιν διαφέρων, εἴ ποτε συνέβαινεν χαλεπαίνειν αὐτὸν δι᾽ ὀργήν, ἀναλαμβάνων τὴν λύραν ἐκιθάριζεν. πρὸς δὲ τοὺς ἐπιζητοῦντας τὴν αἰτίαν ἔλεγεν 'πραΰνομαι.'
ἅπασι τοῖς μαθοῦσι παιδευθεῖσί τε.
"A peculiar anthologic maze, an amusing literary chaos, a farrago of quotations, a mere olla podrida of quaintness, a pot pourri of pleasant delites, a florilegium of elegant extracts, a tangled fardel of old-world flowers of thought, a faggot of odd fancies, quips, facetiae, loosely tied" (Holbrook Jackson, Anatomy of Bibliomania) by a "laudator temporis acti," a "praiser of time past" (Horace, Ars Poetica 173).
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Sunday, February 02, 2014
Charms to Soothe a Savage Breast
Athenaeus 14.623 f-824 a (tr. Charles Burton Gulick):