It is not a historian's business to startle his readers with sensational descriptions, nor should he try, as the tragic poets do, to represent speeches which might have been delivered, or to enumerate all the possible consequences of the events under consideration; it is his task first and foremost to record with fidelity what actually happened and was said, however commonplace this may be.
For the aim of tragedy is by no means the same as that of history, but rather the opposite. The tragic poet seeks to thrill and charm his audience for the moment by expressing through his characters the most plausible words possible, but the historian's task is to instruct and persuade serious students by means of the truth of the words and actions he presents, and this effect must be permanent, not temporary.
Thus in the first case the supreme aim is probability, even if what is said is untrue, the purpose being to beguile the spectator, but in the second it is truth, the purpose being to benefit the reader.
"A peculiar anthologic maze, an amusing literary chaos, a farrago of quotations, a mere olla podrida of quaintness, a pot pourri of pleasant delites, a florilegium of elegant extracts, a tangled fardel of old-world flowers of thought, a faggot of odd fancies, quips, facetiae, loosely tied" (Holbrook Jackson, Anatomy of Bibliomania) by a "laudator temporis acti," a "praiser of time past" (Horace, Ars Poetica 173).
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Saturday, May 29, 2021
History and Tragedy
Polybius 2.56.10-12 (tr. Ian Scott-Kilvert):