Briefly stated, those lessons are two. First, there are many ways to read a text, and the ones most accessible to a modern are often inappropriate when applied to the past. Second, that plasticity of texts does not place all ways of reading on a par, for some of them (ultimately, one hopes, only one) possess a plausibility and coherence absent from others. Trying to transmit such lessons to students, I offer them a maxim: When reading the works of an important thinker, look first for the apparent absurdities in the text and ask yourself how a sensible person could have written them. When you find an answer, I continue, when those passages make sense, then you may find that more central passages, ones you previously thought you understood, have changed their meaning.
"A peculiar anthologic maze, an amusing literary chaos, a farrago of quotations, a mere olla podrida of quaintness, a pot pourri of pleasant delites, a florilegium of elegant extracts, a tangled fardel of old-world flowers of thought, a faggot of odd fancies, quips, facetiae, loosely tied" (Holbrook Jackson, Anatomy of Bibliomania) by a "laudator temporis acti," a "praiser of time past" (Horace, Ars Poetica 173).
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Tuesday, June 15, 2021
Two Lessons
Thomas S. Kuhn (1922-1996), The Essential Tension (Chicago: University of Chicago Press, 1977), p. xii (footnote omitted):