Laudator Temporis Acti

Charles Dickens, American Notes (1842), Chapter X:

The eye was pained to see the stumps of great trees thickly strewn in every field of wheat, and seldom to lose the eternal swamp and dull morass, with hundreds of rotten trunks and twisted branches steeped in its unwholesome water. It was quite sad and oppressive, to come upon great tracts where settlers had been burning down the trees, and where their wounded bodies lay about, like those of murdered creatures, while here and there some charred and blackened giant reared aloft two withered arms, and seemed to call down curses on his foes.

Chapter XI:

For miles, and miles, and miles, these solitudes are unbroken by any sign of human life or trace of human footstep; nor is anything seen to move about them but the blue jay, whose colour is so bright, and yet so delicate, that it looks like a flying flower. At lengthened intervals a log cabin, with its little space of cleared land about it, nestles under a rising ground, and sends its thread of blue smoke curling up into the sky. It stands in the corner of the poor field of wheat, which is full of great unsightly stumps, like earthy butchers'-blocks. Sometimes the ground is only just now cleared: the felled trees lying yet upon the soil: and the loghouse only this morning begun. As we pass this clearing, the settler leans upon his axe or hammer, and looks wistfully at the people from the world. The children creep out of the temporary hut, which is like a gipsy tent upon the ground, and clap their hands and shout. The dog only glances round at us; and then looks up into his master's face again, as if he were rendered uneasy by any suspension of the common business, and had nothing more to do with pleasurers. And still there is the same, eternal foreground. The river has washed away its banks, and stately trees have fallen down into the stream. Some have been there so long, that they are mere dry grizzly skeletons. Some have just toppled over, and having earth yet about their roots, are bathing their green heads in the river, and putting forth new shoots and branches. Some are almost sliding down, as you look at them. And some were drowned so long ago, that their bleached arms start out from the middle of the current, and seem to try to grasp the boat, and drag it under water.

Chapter XI:

The night is dark, and we proceed within the shadow of the wooded bank, which makes it darker. After gliding past the sombre maze of boughs for a long time, we come upon an open space where the tall trees are burning. The shape of every branch and twig is expressed in a deep red glow, and as the light wind stirs and ruffles it, they seem to vegetate in fire. It is such a sight as we read of in legends of enchanted forests: saving that it is sad to see these noble works wasting away so awfully, alone; and to think how many years must come and go before the magic that created them will rear their like upon this ground again. But the time will come: and when, in their changed ashes, the growth of centuries unborn has struck its roots, the restless men of distant ages will repair to these again unpeopled solitudes; and their fellows, in cities far away, that slumber now, perhaps, beneath the rolling sea, will read, in language strange to any ears in being now, but very old to them, of primeval forests where the axe was never heard, and where the jungled ground was never trodden by a human foot.

Chapter XIV:

These stumps of trees are a curious feature in American travelling. The varying illusions they present to the unaccustomed eye as it grows dark, are quite astonishing in their number and reality. Now, there is a Grecian urn erected in the centre of a lonely field; now there is a woman weeping at a tomb; now a very commonplace old gentleman in a white waistcoat, with a thumb thrust into each arm-hole of his coat; now a student poring on a book; now a crouching negro; now, a horse, a dog, a cannon, an armed man; a hunchback throwing off his cloak and stepping forth into the light. They were often as entertaining to me as so many glasses in a magic lantern, and never took their shapes at my bidding, but seemed to force themselves upon me, whether I would or no; and strange to say, I sometimes recognised in them counterparts of figures once familiar to me in pictures attached to childish books, forgotten long ago.

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