Laudator Temporis Acti

J.R.R. Tolkien (1892-1973), "Valedictory Address to the University of Oxford," The Monsters and the Critics and Other Essays (Boston: Houghton Mifflin Company, 1984), pp. 224-240 (at 224):

The diagnosis of what is wrong, and the confident prescription of the cure; the wide view, the masterly survey; plans and prophecies: these have never been in my line. I would always rather try to wring the juice out of a single sentence, or explore the implications of one word than try to sum up a period in a lecture, or pot a poet in a paragraph.

Id. (at 225-226):

Philology was part of my job, and I enjoyed it. I have always found it amusing. But I have never had strong views about it. I do not think it necessary to salvation. I do not think it should be thrust down the throats of the young, as a pill, the more efficacious the nastier it tastes.

But if the ranks of Tuscany should feel inclined to cheer, let me hasten to assure them that I do not think their wares are necessary to salvation either; much of what they offer is peddler's stuff. I have indeed become more, not less, bigoted as a result of experience in the little world of academic English studies.

'Bigoted' is for the Tuscans. Speaking to the Romans, defending the city and the ashes of their fathers, I would say 'convinced'. Convinced of what? Convinced that Philology is never nasty: except to those deformed in youth or suffering from some congenital deficiency. I do not think that it should be thrust down throats as a pill, because I think that if such a process seems needed, the sufferers should not be here, at least not studying or teaching English letters. Philology is the foundation of humane letters; 'misology' is a disqualifying defect or disease.

It is not, in my experience, a defect or disease found in those whose literary learning, wisdom, and critical acumen place them in the highest rank — to which so many in the Oxford School have in various ways attained. But there are other voices, epigonal rather than ancestral. I must confess that at times in the last thirty odd years I have been aggrieved by them; by those, afflicted in some degree by misology, who have decried what they usually call language. Not because they, poor creatures, have evidently lacked the imagination required for its enjoyment, or the knowledge needed for an opinion about it. Dullness is to be pitied. Or so I hope, being myself dull at many points. But dullness should be confessed with humility; and I have therefore felt it a grievance that certain professional persons should suppose their dullness and ignorance to be a human norm, the measure of what is good; and anger when they have sought to impose the limitation of their minds upon younger minds, dissuading those with philological curiosity from their bent, encouraging those without this interest to believe that their lack marked them as minds of a superior order.

Id. (at 226):

I have heard sneers at certain elementary kinds of linguistic 'research' as mere spelling-counting. Let the phonologist and the orthographer have their swink to them reserved! Of course. And the same to the bibliographer and typographer — still further removed from the living speech of men which is the beginning of all literature. Contemplating the workings of the B.Litt. sausage-machine, I have at times dared to think that some of the botuli, or farcimina, turned out were hardly either tasty or nourishing, even when claimed to be 'literary'.

Id. (at 226-227):

But all fields of study and enquiry, all great Schools, demand human sacrifice. For their primary object is not culture, and their academic uses are not limited to education. Their roots are in the desire for knowledge, and their life is maintained by those who pursue some love or curiosity for its own sake, without reference even to personal improvement. If this individual love and curiosity fails, their tradition becomes sclerotic.

There is no need, therefore, to despise, no need even to feel pity for months or years of life sacrificed in some minimal enquiry: say, the study of some uninspired medieval text and its fumbling dialect; or of some miserable 'modern' poetaster and his life (nasty, dreary, and fortunately short) — NOT IF the sacrifice is voluntary, and IF it is inspired by a genuine curiosity, spontaneous or personally felt.