Wyndham Lewis, Time and Western Man
(London: Chatto and Windus, 1927), p. 87:
So I like, respect, and, in a sense, reverence Ezra Pound; I have found him
a true, disinterested and unspoilt individual. He has not effected this intimate
entrance into everything that is noble and enchanting for nothing. He has
really walked with Sophocles beside the Aegean; he has seen the Florence of
Cavalcanti; there is almost nowhere in the Past that he has not visited; he has
been a great time-trotter, as we could describe this new kind of tourist. And he
is not unworthy, in himself, of these many privileges.
But where the Present is concerned it is a different matter. He is
extremely untrustworthy where that is concerned. That is the penalty of his
function, like that of the eunuch instanced above. When he tries to be up-to-date it is a very uncomfortable business. And because he is conventional, and
so accepts counterfeit readily where no standard has been established, he is a
danger as far as he exerts any contemporary influence. He should not be taken
seriously as a living being at all. Life is not his true concern, his gifts are all
turned in the other direction. 'In his chosen or fated field he bows to no one,'
to use his words. But his field is purely that of the dead. As the nature mortist,
or painter essentially of still-life, deals for preference with life-that-is-still, that
has not much life, so Ezra for preference consorts with the dead, whose life is
preserved for us in books and pictures. He has never loved anything living as
he has loved the dead.