Horace Kephart (1862-1931), Our Southern Highlanders
(New York: Outing Publishing Company, 1913), pp. 380-382:
Here, then, is Appalachia: one of the great land-locked areas of the globe, more English in speech than Britain itself, more American by blood than any other part of America, encompassed by a high-tensioned civilization, yet less affected to-day by modern ideas, less cognizant of modern progress, than any other part of the English-speaking world.
Of course, such an anomaly cannot continue. Commercialism has discovered the mountains at last, and no sentiment, however honest, however hallowed, can keep it out. The transformation is swift. Suddenly the mountaineer is awakened from his eighteenth-century bed by the blare of steam whistles and the boom of dynamite. He sees his forests leveled and whisked away; his rivers dammed by concrete walls and shot into turbines that outpower all the horses in Appalachia. He is dazed by electric lights, nonplussed by speaking wires, awed by vast transfers of property, incensed by rude demands. Aroused, now, and wide-eyed, he realizes with sinking heart that here is a sudden end of that Old Dispensation under which he and his ancestors were born, the beginning of a New Order that heeds him and his neighbors not a whit.
All this insults his conservatism. The old way was the established order of the universe: to change it is fairly impious. What is the good of all this fuss and fury? That fifty-story building they tell about, in their big city—what is it but another Tower of Babel? And these silly, stuck-up strangers who brag and brag about "modern improvements"—what are they, under their fine manners and fine clothes? Hirelings all. Shrewdly he observes them in their relations to each other.—
"Each man is some man's servant; every soul
Proudly he contrasts his ragged self: he who never has acknowledged a superior, never has taken an order from living man, save as a patriot in time of war. And he turns upon his heel. Yet, before he can fairly credit it as a reality, the lands around his own home are bought up by corporations. All about him, slash, crash, go the devastating forces. His old neighbors vanish. New and unwelcome ones swarm in. He is crowded, but ignored. His hard-earned patrimony is robbed of all that made it precious: its home-like seclusion, independence, dignity. He sells out, and moves away to some uninvaded place where he "will not be bothered."
Is by some other's presence quite discrowned."
"I don't like these improvements," said an old mountaineer to me. "Some calls them 'progress,' and says they put money to circulatin'. So they do; but who gits it?"
The quotation is from James Russell Lowell's poem "The Pioneer."