Laudator Temporis Acti

Hugh Trevor-Roper (1914-2003), The Wartime Journals (London: I.B. Tauris, 2012), pp. 121-122 (Dec. 1942; note omitted):

Poor old Rowse says somewhere in his autobiography that he regards the old ideal of Mens sana in corpore sano as arrant nonsense and a contradiction in terms, or words to that effect; for when he rides his hobby-horses he does ride them with whips and spur. He prefers to believe that bodily health and intellectual force are incompatible things, and that art springs from the limitation of experience. Well, I suppose it's a tenable view for such as want to hold it, and for sure, since Flaubert and Leopardi were invalids, there's something to give a smack of taste to the weak, insipid soup of Wackenroder and Proust. But I'm on the side of the Elizabethans, and Goethe, and St Aristophanes, my patron saint, and all whose philosophy is founded on experience, or, at least, on a bottom of common sense which presupposes experience. I'm for Gibbon and Surtees, not these etiolated continentals. Why even style depends on experience and observation, since style needs imagery, and imagery must be drawn from life, from wild beasts in the forest, and storms at sea, and low life in taprooms and circuses and at earthstoppers' dinners, and a relish and recollection of these things, and a sympathy with them. But who can draw a good image from private wards and clinking bedpans and cut flowers and demure white sheets and undertones, an unillumined world, without seasons, without laughter, where even a fart is an austere medical symptom only?

Hat tip: Ian Jackson †.